This week, fashion steps aside as the spotlight turns to the art scene’s newest luminaries—among them, Los Angeles-based Austyn Weiner, making her Art Basel debut with MASSIMODECARLO. We caught up with Austyn to explore her creative journey and what fuels her vibrant work.
How did you get started in art?
I grew up in Miami as the youngest of four in a creatively charged home. Music was my first passion—and still is. I often say I became a painter just so I could listen to music all day. With headphones on constantly, I developed a rich internal dialogue that now drives my painting. I started out in photography, working in film and fashion. While studying at Parsons in New York, I began painting over my photos, and after moving to California, I transitioned fully into painting. I taught myself oil painting through hands-on experience.
How would you describe your artistic style?
It’s always tricky to define. I’m an abstract painter, but I don’t begin with a fixed idea. My work is deeply personal, shaped by my life and the world around me. I’m definitely drawn to color—color is everything.
What’s your creative process like? Do you work on multiple pieces at once?
It depends on the space. During the pandemic, I worked in a tiny garage and could only manage one or two pieces at a time. Now, in a 5,000-square-foot studio, I juggle around 30 works at once. The environment really shapes the process.
Do you plan your workday or go with the flow?
A bit of both. Once a painting hits about 30% completion, I let intuition take over. I often write directly on the canvas as part of the underpainting. I love the beginning stages, but solving the color puzzle at the end is just as satisfying.
How long does a painting usually take?
It varies widely. Some are finished in a few days, others take months.
Is it hard to let go of your work?
It didn’t used to be, but now I find it tough to part with pieces that mark important growth. I’ve learned to hold onto some of them longer.
What music do you listen to while working?
My taste is eclectic—Radiohead, Curtis Mayfield, jazz, classical. It all depends on my mood and what the work needs. Lately, I’ve been into Bob Seger.
Are you excited about Art Basel this year?
Absolutely. Growing up in Miami, I attended Art Basel long before I ever imagined being a painter. This year, I’m thrilled to be presenting a solo show at the convention center.
Will you be at the event to meet people?
I like art fairs, but the more I do them, the less I want to stay all day. I’ll be there to walk around with friends and fellow artists, but I won’t be glued to my booth. I always dream of going incognito to hear people’s unfiltered reactions!
Who are some of your mentors?
I’ve been lucky to have mentors from all walks of life. During the pandemic, I bonded with a 75-year-old who once worked at the Troubadour during its heyday. I’m also close with artists like Lily Stockman, Hilary Pecis, and Joel Mesler. My best friend Gigi Hadid and the late Virgil Abloh have been huge inspirations. I’m deeply grateful to the many gallerists and writers who’ve shaped my path.
