This week, fashion takes a backseat as we spotlight emerging talents in the art scene. One standout is Austyn Weiner, a Los Angeles-based artist making her Art Basel debut with MASSIMODECARLO. We caught up with Austyn to explore her journey and creative inspirations.
Can you share a bit about your background and how you found your way into art?
I was raised in Miami as the youngest of four in a creatively rich household. Music was my first passion, and painting became a way to immerse myself in it all day. I started out in photography, working in film and fashion in New York. My fascination with the female form and the energy of models led me to painting. After moving to California, I taught myself oil painting, and that’s where my artistic path truly began.
How would you describe your work to someone unfamiliar with it?
It’s hard to pin down, but I consider myself an abstract painter. While many abstract artists begin with a defined concept, my work is more like a visual diary—each piece a colorful snapshot of my life.
What does your creative process look like? Do you juggle multiple works at once?
Absolutely. As my studio space has expanded, so has the scale of my work. I used to paint in a tiny garage during the pandemic. Now, in a 5,000-square-foot studio, I often work on up to 30 pieces simultaneously. The space really shapes how I create.
Do you follow a daily plan or let inspiration guide you?
It’s a blend of both. I usually begin with a freeform approach—sketching directly on canvas and playing with color. As the piece evolves, it becomes a delicate dance between spontaneity and intention.
How long does it typically take to complete a painting?
It really depends. Some come together in just over a day, while others take as long as nine months.
Is it difficult to let go of your work?
At first, it wasn’t. But now, it’s harder—especially when a piece marks a pivotal moment in my growth. I’m learning to hold onto certain works a bit longer.
What kind of music fuels your studio sessions?
My playlist is eclectic—everything from Radiohead and Curtis Mayfield to jazz greats and classical compositions. It all depends on my mood and what the moment calls for.
You’re showing at Art Basel this year. What does that mean to you?
As someone who grew up in Miami, I’ve been attending Art Basel long before I ever picked up a paintbrush. It’s fascinating to witness the commercial side of the art world. This year, I’m thrilled to present a solo show at the MASSIMODECARLO booth.
Will you be spending much time at your booth?
I’ll be in and out. I’m curious to hear people’s unfiltered reactions to my work—both the praise and the critique.
Who have been your biggest mentors?
I’ve been fortunate to have mentors from all walks of life. I often connect with older mentors who bring a wealth of experience. Artists like Lily Stockman and Hilary Pecis are close friends and part of my support network. Gigi Hadid, one of my best friends, and the late Virgil Abloh have also played influential roles. I’m deeply grateful to the many gallerists and writers who’ve helped shape my journey.
